An ontology of art

Gregory Currie - - Journal of Aesthetics and Art Criticism 68 (3):235-241. The Ontology of Art.Guy Rohrbaugh - - In Berys Gaut & Dominic Lopes (eds.), 

Ontology is the study of the kinds of things there are in the world. The ontology of art considers the matter, form, and mode in which art exists.

An Ontology of Art (Studies in Contemporary Philosophy): The book will be of interest to philosophers, aestheticians, and historians of art.

May 23,  · The term ontology in information science arises from philosophy where it represents “the science of what is” (Smith 2004, p. 155).More specifically, the concept of the kinds and structures of objects, properties, events, processes, and relations in every area of reality (Smith 2004) is used to add meaning in the context of information science.. In philosophy,

Rather than attempting to make conjectures about such difficult exegetical topics, this entry focuses primarily on contributions made by authors who explicitly address themselves at length to some of the aforementioned questions pertaining directly to the ontology of works of art, either in general or with reference to such major art forms as

This seminar takes this variety not just as a disagreement regarding the ontological status of art, among which one can choose, but as a symptom of a 

Ontology is a branch of philosophy concerned with the study of "being", derived from the words 'ont' (Greek) + logy (English) - ontologia (modern Latin) - ontology (current). It is a study of the

First published Thu Feb 4, ; substantive revision Tue Aug 6, 2019. Heidegger is against the modern tradition of philosophical "aesthetics" because he is for the true "work of art" which, he argues, the aesthetic approach to art eclipses. Heidegger's critique of aesthetics and his advocacy of art thus form a complementary whole.

Hartmann's central thesis on the ontology of art is that works are fictions that depend upon the perceptual and imaginative activities of 

The term ontology in information science arises from philosophy where it represents "the science of what is" (Smith 2004, p. 155).More specifically, the concept of the kinds and structures of objects, properties, events, processes, and relations in every area of reality (Smith 2004) is used to add meaning in the context of information science.. In philosophy, there is no unique definition

ART, ONTOLOGY OF Ontology is concerned with what exists. So one may think the ontology of art is concerned with whether artworks exist.

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An ontology of art, Gregory Currie. Resource Information The item An ontology of art, Gregory Currie represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Brigham Young University. This item is available to borrow from 1 library branch.

In English-language philosophical publications, the earliest reference to the tale and to its implications for the ontology of art appears in Savile’s (1971) essay on Goodman’s Languages of Art (for background, see the entry on Goodman’s aesthetics). Subsequent references to the story’s philosophical implicati See more

Rejecting Goodman's distinction between autographic and allographic arts, and the dualistic ontology based upon it, the author attempts to construct a.

Determining the ontological status of works of art involves determining the conditions under which a work of art comes into existence, remains 

Ontologists offer a map of reality, one divided into such broad, overlapping territories as physical and mental, concrete and abstract, universal and particular. Such a map provides the setting for further philosophical investigation. Ontologists of art seek to locate works of art in this wider terrain, to say where in our universe they fit in.

Ontology of art Stephen Davies In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press. pp. 155--180 ( 2003 ) Recommend Bookmark Download options PhilArchive copy This entry is not archived by us. If you are the author and have permission from the publisher, we recommend that you archive it.

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The Myth of (Non-Aesthetic) Artistic Value.Dominic McIver Lopes - - Philosophical Quarterly 61 (244):518-536. The Ontology of Art.Guy Rohrbaugh - - In 

Philosophy, Art. 2013. A large part of the ontology of music is formalistic and objectivistic: it regards musical works as kinds of objects,